Prom has all the elements of a popular story. It reeks of all-Americanness, tension, drama. It has romance. Pretty dresses. Dancing. Limos. High school. Coming of age.
The coming-of-age story has sort of become a joke. It's something to capitalize on, and that is painful because when you are coming of age - when you are going through something like that - the genre is so meaningful.
The picture alone, without the written word, leaves half the story untold.
I had to stop traveling alone because I missed so many planes. When somebody runs up to you in the airport and begins to tell you their life story, you can't say, 'Excuse me, boo,' as they're weeping on your bosom.
The thing is, as a film director, you're essentially alone: You have to tell a story primarily through pictures, and only you know the film you see in your head.
It's amazing what you can do without in terms of filmmaking when a story is really important.
Over the years, I would go to my agents, my manager, and I would say, 'Hey, there's this amazing true story about this gay English mathematician who committed suicide in the 1950s.' And they would be like, 'Please don't ever write that script. That is an unmakeable film.'
The architecture of a story can be a little bit different if it's a true story.
Opera is the ultimate art form. It has singing and music and drama and dance and emotion and story.
Whether or not you agree with Ayn Rand - and I have certain issues with some of her beliefs - the woman can tell a story. I mean, the novel as an art form is just in full florid bloom in 'Atlas Shrugged.' It's an unbelievable story. The characters are so compelling, and what she's saying is mind-expanding.
I mean, the shoe - there is a music to it, there is attitude, there is sound, it's a movement. Clothes - it's a different story. There are a million things I'd rather do before designing clothes: directing, landscaping.
Along with its enchanting and exquisite melodies, West Side Story has attitude and a tremendous amount of frenetic energy. It's emotional, theatrical and technical. It's everything.
Though it may not seem like it, I never try to write about a place, per se: it's always, first and last, about story. Story is everything. Story and a bit of attitude.
For my 50th birthday, I got ahold of a new print of 'Saturday Night Fever.' I see it much more as a tough coming-of-age movie than as a disco story.
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