I figured out it was a social thing, what women were allowed to do. At a very young age, I decided I was not going to follow women's rules.
People should dress the way they want. Any rules for age or shape are silly.
I am free because I know that I alone am morally responsible for everything I do. I am free, no matter what rules surround me. If I find them tolerable, I tolerate them: if I find them too obnoxious, I break them. I am free because I know that I alone am morally responsible for everything I do.
Sony is the coolest studio. They are really amazing. I think part of it comes from they're not an American corporation. They don't work by quite the same rules. And their studio heads have a lot of autonomy.
In 1987, the United States celebrates the bicentennial anniversary of the constitutional convention that provided the basic rules for the American political order. This convention was one of the very few historical examples in which political rules were deliberately chosen.
There are no rules of architecture for a castle in the clouds.
The rules of navigation never navigated a ship. The rules of architecture never built a house.
When you have rules to abide by, does that curtail you as a designer, or set you free? People think of classical architecture visually, but I think the brilliant part of it is actually spatial.
Rules and models destroy genius and art.
Works of art make rules: rules do not make works of art.
There are no categories in contemporary art. There are no rules. Artists are given the freedom to make and create whatever they please and call it whatever they please. I identify with that system, or lack of system, much more than I do the landscape of contemporary publishing.
I define nothing. Not beauty, not patriotism. I take each thing as it is, without prior rules about what it should be.
In things to be seen at once, much variety makes confusion, another vice of beauty. In things that are not seen at once, and have no respect one to another, great variety is commendable, provided this variety transgress not the rules of optics and geometry.
Sometimes when I do an overdub solo, they'll keep four or five of my attempts and then mix the bits that they like to make a solo up out of them. It's not against the rules, really - I can learn my own solos, then. But that's the whole beauty of multi-track recording, isn't it?
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