Professionalism in art has this difficulty: To be professional is to be dependable, to be dependable is to be predictable, and predictability is esthetically boring - an anti-virtue in a field where we hope to be astonished and startled and at some deep level refreshed.
Fairness is not an attitude. It's a professional skill that must be developed and exercised.
I've never been out with any of the cast of Coronation Street. We're all very close friends so it's very much a professional attitude.
Going back and forth between Western Arabic and African countries clearly created the various musical backgrounds I could have and obviously influenced my professional attitude, my way of approaching both music composition and singing, particularly phrasing.
I rate enthusiasm even above professional skill.
My professional life has been a constant record of disillusion, and many things that seem wonderful to most men are the every-day commonplaces of my business.
Being a professional musician doesn't mean you spend 12 hours a day playing music. It means you spend up to 12 hours a day taking care of business, dealing with litigation, with the various characters who've stolen your interests, or fending off hostile lawsuits from former members of the band.
Facebook is massive in scale and scope. Twitter is a public communication forum, but if I'm following you, you're not necessarily following me. LinkedIn is, simply, a professional network.
If I wasn't a professional scientist, I'd be an amateur scientist. But plan B was to go into computers.
Managerial and professional people hadn't really used computers, hadn't sat down at keyboards, until personal computers. Personal computers have a totally different feel.
My professional dreams were coming true while I was living a personal nightmare.
It's not a bad thing fighting for equality and helping the poor. It's not a bad thing to have on your professional tombstone: 'He believed in equality and he helped the poor.'
I loved making 'The Hunger Games' - it was the happiest experience of my professional life. Lionsgate was supportive of me in a manner that few directors ever experience in a franchise: they empowered me to make the film I wanted to make and backed the movie in a way that requires no explanation beyond the remarkable results.
I've become a professional failure - in order to pay the mortgage I have to remain unemployed. Luckily, a disaster always seems to befall me at exactly the right moment.
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