Under the Assads, Kurds were forbidden from learning their own language at school, or even from speaking it in the military. The result is a generation of Syrian Kurds, many now in late middle age, who can't write their own language.
The themes Poe used were universal and timeless. As long as the English language exists at all, we will be able to appreciate what he did. It will not age! It will not become dated!
Man's ultimate concern must be expressed symbolically, because symbolic language alone is able to express the ultimate.
In a way, writing is an incredible act of individualism, producing your language, and yet to use it from the heart of a crowd as opposed to as an individual performance is a conflicting thing. I do stand alone, and yet it's not about being an individual or being ambitious.
Human beings do not live in the objective world alone, nor alone in the world of social activity as ordinarily understood, but are very much at the mercy of the particular language which has become the medium of expression for their society.
Between 1910 and 1950 approximately 350 lives of Jesus were published in the English language alone.
The real art is not to come up with extraordinary clever words but to make ordinary simple words do extraordinary things. To use the language that we all use and to make amazing things occur.
Lyrics are important, but it's hard, because English isn't my first language - although it feels like it is these days! I grew up with amazing melodies, so getting that right on a song has always been the key thing for me, but there's no reason why a great melody doesn't deserve great lyrics.
If you're writing about angry people, you use the language of anger. If you're writing about desperate people, you use the language of desperation.
Architects have made architecture too complex. We need to simplify it and use a language that everyone can understand.
In a society that celebrates the inessential, architecture can put up a resistance, counteract the waste of forms and meanings and speak its own language.
I used to think that the great thing about sculpture was that, like Stonehenge, it was something that stood against time in an adamantine way, and was an absolute mass in space. Now I try to use the language of architecture to redescribe the body as a place.
'Station to Station' came out of a sense of urgency - a sense that culture, be it art, film or architecture, has become so compartmentalised. For this project, we wanted to break that and create a language that is more nomadic and less materialistic and really empowering for the creators and the audience.
Painting is by nature a luminous language.
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