I think every age has a medium that talks to it more eloquently than the others. In the 19th century it was symphonic music and the novel. For various technical and artistic reasons, film became that eloquent medium for the 20th century.
'Pulp Fiction' is an amazing film, and I haven't made one nearly as good.
'Bambi' is an amazing film, and when you watch it today, it's just as beautiful. It's timeless. It's just as beautiful today as it was back then.
I would've been intrigued by being a film director. I would've been intrigued by politics. I thought about architecture.
In the late '70s, maybe just before I started, there was still an attitude that if you did film you didn't do TV and vice versa, but that's gone now.
I film quite a bit of footage, then edit. Changes before your eyes, things you can do and things you can't. My attitude is always 'let it keep rolling.'
Some feminists have this party-line attitude, and they can be very extremist. The most enlightened characters in my film are women.
The best time to release a film is on a festive date like Divali or Eid, or at a time when there are no big films three to four weeks before or after.
I have always been focused on my job. No profession allows you the luxury of being half-focused. If you're not into it, you're not there. And the film industry is all the more harsh in these cases, perhaps because it's a business of the limelight.
We had the guys from X Men 2 do the cameras. They had a 360 camera that would go from one car, up in the air and over to another car in a continuous shot while the film was still rolling, going 90 mph.
I did a film which was considered an independent movie with Dustin Hoffman and Andy Garcia called Confidence, and that's the type of film I was willing to take a chance on that because of the caliber of people involved with the film.
Film line is all about chance. I don't think much, I just like to take chances.
For a filmmaker, it's a rare chance to do a personal film on a big canvas.
I made a French film called 'Merry Christmas' which is a very European film. It's a World War I piece.
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