Too much money at a young age, it just takes your eye off the ball. And you're not as hungry as players used to be. You think you've made it before you've done anything.
The information encoded in your DNA determines your unique biological characteristics, such as sex, eye color, age and Social Security number.
When you see young players coming into the squad and pushing you, no matter what age you are, you have to react. You have to worry about yourself and perform as well as you can. If you end up looking around at others, wondering who's performing better, you take your eye off the ball.
I think that's why often people in creative fields can feel so alone is because there's a constant third eye, that constant watcher.
When I was working on Eye of the Beholder, I played a character who is so aloof that my whole lifestyle became very aloof. If someone knocked on my door, there was a part of me that went into a rage, because I wanted to be isolated and alone.
I love watching amazing actors and actresses that you can't take your eyes off of because everything they are doing - even if it is just twiddling their thumbs or scratching their eye - it's just interesting.
Once you learn to look at architecture not merely as an art more or less well or more or less badly done, but as a social manifestation, the critical eye becomes clairvoyant.
The secret of good architecture is having more than meets the eye.
Architecture struck me between the eye and the eyeball.
The general public will almost always stand behind the traditionalists. In the public eye, architecture is about comfort, about shelter, about bricks and mortar.
One eye sees, the other feels.
If we could but paint with the hand what we see with the eye.
In just the same way the thousands of successive positions of a runner are contracted into one sole symbolic attitude, which our eye perceives, which art reproduces, and which becomes for everyone the image of a man who runs.
Beauty is in the eye of the beholder.
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