True love is not a strong, fiery, impetuous passion. It is, on the contrary, an element calm and deep. It looks beyond mere externals, and is attracted by qualities alone. It is wise and discriminating, and its devotion is real and abiding.
Britain, relative to the U.S., is a highly secular society. Philanthropy alone cannot fill the gap left by government cutbacks. And the sources of altruism go deep into our evolutionary past.
We are looking for happiness and running after it in such a way that creates anger, fear and discrimination. So when you attend a retreat, you have a chance to look at the deep roots of this pollution of the collective energy that is unwholesome.
What starts the process, really, are laughs and slights and snubs when you are a kid. If your anger is deep enough and strong enough, you learn that you can change those attitudes by excellence, personal gut performance.
Deep down, my mom had long suspected I was gay... Much of her anger and hurt came from her sense of betrayal that she was the last to be told.
The difference between anger and deep remorse - remorse is much fatter. It's a deeper feeling altogether. Anger is too easy an escape for my money.
I would say that I definitely became much more religious. They say there are no atheists in foxholes, and this stroke put me into a very deep foxhole. Yet that feeling of faith sustained me, so I have no feelings of anger or regret.
And when an architect has designed a house with large windows, which is a necessity today in order to pull the daylight into these very deep houses, then curtains come to play a big role in architecture.
One's art goes as far and as deep as one's love goes.
It may be that the deep necessity of art is the examination of self-deception.
It is not up to me whether I win or lose. Ultimately, this might not be my day. And it is that philosophy towards sports, something that I really truly live by. I am emotional. I want to win. I am hungry. I am a competitor. I have that fire. But deep down, I truly enjoy the art of competing so much more than the result.
Let's face it: professing a deep interest in movies, the absolutely dominant global art form of the last century, is at this point like professing an interest in air. Passion is nice. Erudition is admirable. But it's like that moment when good manners cross over into meaningless etiquette.
Professionalism in art has this difficulty: To be professional is to be dependable, to be dependable is to be predictable, and predictability is esthetically boring - an anti-virtue in a field where we hope to be astonished and startled and at some deep level refreshed.
There is a very deep conviction in the heart of the people who work in al-Jazeera that if it changes its editorial line, it will very quickly lose its audience. Al-Jazeera has its own style: it has more than 3,500 employees, and I don't think anyone will have the attitude of changing it because they will lose.
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