Painting, sculpture and architecture are finished, but the art habit continues.
Artists themselves are not confined, but their output is.
A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us.
History is representational, while time is abstract: both of these artifices may be found in museums, where they span everybody's own vacancy.
Nature is never finished.
Parks are idealizations of nature, but nature in fact is not a condition of the ideal.
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