I think of myself as a very ordinary person. I like writing about the juxtaposition between people: the beauty of them at times and then the banal, everyday context in which we find ourselves.
We are quick to stick labels on others - especially those who don't fit in with the norm. 'Harold Fry' is about a broken marriage: 'Perfect' is about a broken person. They are both about finding kindness where you least expect it.
I went through a stage of writing my cramped hand in tiny books. My two sisters and I did have our Bronte period. My mum is from Yorkshire, and we would go up to the Moors. It tapped into our romantic visions of ourselves.
'Perfect' is about a set-up that looks perfect from the outside - beautiful country house, beautiful wife and mother, everything where it should be - and the deep fissures that, in fact, lie beneath that. 'Perfect' was partly a response to the shock of my first book, 'The Unlikely Pilgrimage Of Harold Fry,' being a success.
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