I like the architecture of lingerie.
One thing about costume design - and I think design in general - but especially costume design, is people have a misconception that it's very glamorous work.
Costume design allows you to do a different type of research and create characters, whereas in fashion, you create an image and clothing for the masses.
The exposure I have had to beautiful materials across the world, from Japan to Italy, enables me to pull design ideas together. This, combined with years of historical research, has created a great fountain of ideas for me.
I can create clothes for so many different time periods. I've always tried to avoid being pigeonholed. Plus, everything I learn about design and costume from one movie somehow works its way into something else.
I design for the movie and the character as well as the person wearing the costume. I show the ideas to the actor, then do fittings for shape and technical things such as movement in the costume. Once the costume in this form is on the actor, you have a sense of their connection with it. I then take it to the next level with the final fit.
I don't design my own clothes. It's so not what I think about.
I grew up in a small town in Washington State, so I wasn't really aware of costume design as a career growing up, but I loved clothes. I remember I saved all my money, and the first thing that I bought was a white blazer, which was to the horror to my parents. But I have always had a strange connection with clothing.
I really don't over-theorize about design. I'd rather feel it than talk it to death. A lot happens as you unroll the design.
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