Istanbul is inspiring because it has its own code of architecture, literature, poetry, music.
When a woman puts on a heel, she has a different posture, a different attitude. She really stands up and has a consciousness of her body.
I mean, the shoe - there is a music to it, there is attitude, there is sound, it's a movement. Clothes - it's a different story. There are a million things I'd rather do before designing clothes: directing, landscaping.
The higher the better. It's more about an attitude. High heels empower women in a way.
People say I am the king of painful shoes. I don't want to create painful shoes, but it is not my job to create something comfortable. I try to make high heels as comfortable as they can be, but my priority is design, beauty and sexiness. I'm not against them, but comfort is not my focus.
Cinderella is not only an iconic character when it comes to beauty, grace and fairytale love, but also shoes.
My father, who was a cabinetmaker, told me, 'Wood has a grain and if you go into the grain, you have beauty. If you go against it, you have splinters - it breaks.' And I took that as my view of life. You have to follow the grain - to be sensitive to the direction of life.
If you do what you love, it is the best way to relax.
Even today, I am still very child-like while designing. It's a bit like Christmas - each of your designs you create is like unravelling your presents.
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